What does your teaching work involve?
My teaching, although mainly on a private basis, does also extend into the community - in schools for example. Singers come to me to learn about using their body and breathing to improve their voice and learn new techniques. Others who are not singers need specific voice practices and I use a range of 'tools' that will suit an individual's needs. It is very important to be able to relate to people on a personal level and the response this can generate can sometimes be very emotional as well as liberating. This approach brings out what is unique about someone's voice.
Is your writing and recording a very separate area to the teaching?
I find that the skills and creativity I use throughout all my work are transferable to the various different projects I'm involved with. For example, I could be writing for a recording project or use writing as part of my teaching. It's good to be able to integrate the different areas as each one will benefit.
Are you classically trained?
Later on, I trained as an acupuncturist which gave me a strong foundation in body, energy and emotions which is indispensable when working any blocks to the voice. I also completed a 'Naked Voice' training course, which introduced me to a whole new way of using my voice including the Indian scale.
What do you like most about your work?
Seeing how the people and children I have contact with can be transformed and empowered is really satisfying. On the recording side I love working with a wide range of musicians - especially those who I seek out because I like and respect their work. Recording can sometimes be overwhelming as there is so much to do and learn. I work alongside a recording engineer and I also have a distributor so there is help and the whole process can be very fulfilling.
What do you find most challenging about your work?
I find self-publicity difficult. As someone who is starting out freelance this is essential but once you get established, the groundwork will pay-off as your network of contacts increases. The financial uncertainties of being a freelance can also be demanding but you do reach a point when you are able to handle the ups and downs a lot better. Being self-employed in something quite unique makes it hard to compare what you are doing with others, but it also makes me realise I can make a real contribution through what I'm doing.
What advice would you give to someone wanting to do this type of work?
Be flexible and be open to opportunities. If you're planning to work freelance, then it's important to be a self-starter as you will need to make things happen. You'll have to make people aware that you're available without being too pushy. Networking is essential for building up client-bases and creative support from other artists and members of the freelance community.
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